Jane Eyre Chapters 22-25

1. More than anything, Jane needs validation. She fears Rochester's love and commitment because she has long been abused by a society that has desexualized her from childhood. She continues to struggle emotionally because she feels unworthy of Rochester's love, and when she seeks this validation, in return, she only becomes the victim of Edward's twisted games. The "Victorian Way" has made it clear that Edward should have this power, and Jane should simply submit.

2. Poor Jane is beginning to lose her way...for a guy. The once rebellious, progressive, and independent individual, has now become a rich man's project. He likes to dress her up (literally) and make her his emotional puppet, when she has never before been uncomfortable with who she is. Jane has accepted her plot in life as a poor servant, but is constantly reminded that it is not "enough" by Victorian standards. Does Rochester really love the real Jane, or does he love what he can mold her to become?

3. What is it that Jane so desperately loves about Rochester? In fact, what is it that any girl loves about the archetypal "bad boy"? Edward is very much the dark horse of Thornfield and sweeps into town as a mysterious, adventurous stranger. Everything about this stranger screams cliche: tall, dark, and handsome, rugged, and disinterested in his wealth. Maybe it is the cliche that brings comfort and stability to the audience, yet brings thrill, seduction, and the long-awaited fireworks to Jane's life. Can we empathize?