Jane Eyre Chapters 22-25

1. More than anything, Jane needs validation. She fears Rochester's love and commitment because she has long been abused by a society that has desexualized her from childhood. She continues to struggle emotionally because she feels unworthy of Rochester's love, and when she seeks this validation, in return, she only becomes the victim of Edward's twisted games. The "Victorian Way" has made it clear that Edward should have this power, and Jane should simply submit.

2. Poor Jane is beginning to lose her way...for a guy. The once rebellious, progressive, and independent individual, has now become a rich man's project. He likes to dress her up (literally) and make her his emotional puppet, when she has never before been uncomfortable with who she is. Jane has accepted her plot in life as a poor servant, but is constantly reminded that it is not "enough" by Victorian standards. Does Rochester really love the real Jane, or does he love what he can mold her to become?

3. What is it that Jane so desperately loves about Rochester? In fact, what is it that any girl loves about the archetypal "bad boy"? Edward is very much the dark horse of Thornfield and sweeps into town as a mysterious, adventurous stranger. Everything about this stranger screams cliche: tall, dark, and handsome, rugged, and disinterested in his wealth. Maybe it is the cliche that brings comfort and stability to the audience, yet brings thrill, seduction, and the long-awaited fireworks to Jane's life. Can we empathize?

Romantic Essay Highlights

She (Mary Shelley) attempted to quell the excitement surrounding the pursuit of knowledge and believed society should allow the course of life to go its own.--Daryl Thomas

This transcendence of man from the created to the creator results in the birth of a monster that will be a curse to Victor Frankenstein for the majority of the story.--Billy Lai

Frankenstein does not understand nature and its blemishes, and the reader does not understand his intentions given the actions that he took against his own creation.--Andrew Goncalves

The monster was not born evil, the evilness came from a society that shunned and loathed him.--Dave Oreste

Victor's selfish idea to create the "perfect" man led to his inconsistent feelings and mistreatment of the monster, leaving him unhappy and inadequate enough to play the role of God.--Dora Ocampo

Prometheus and Victor's destructions were caused solely by their own shortcomings. They could have been killed, but instead, they were kept alive, only to endure the painful and agonizing consequences of their actions.--Genevieve Noonan

Shelley also uses the motif of light and darkness, one that occurs in the natural world, to further her comparison. She associates darkness and evil with science and the monster. She associates the light with with the knowledge that science is not as powerful as nature, and the two cannot create harmony.--Michael Fullerton

Frankenstein and Prometheus are similar because they both used their knowledge as a passage way to create human life.--Tabisha Fleurinord

While technology has an isolating effect on those who relish in its advancements, a connection with nature can turn around the devastating consequences of technology. Nature is a giving and everlasting resource that can undo the tragic effects technology brings.--Hannah McCaffrey

The monster was born to be hideous and wretched-a seed that was first poisoned by the mania of science and then planted in to the deformed womb of society. This is but a mockery of modern science, which attempts to override the sublimity of nature and overcome the mortality of human life.--Lu Li

Mary Shelley illustrates this concept by providing several foils to help the reader understand and conceptualize Victor Frankenstein as an instrument to his own demise.--Macda Gerard

Wrapping Up Frankenstein...

1. Mary Shelley's thought provoking criticism forces us to evaluate our own addictions to science and technology, and how these addictions draw us further and further away from the peaceful processes of nature. It is baffling to me that such a young woman (what?!?!?!) was able to make these connections in an era that otherwise stiffled the questioning of society. If we think of Victor as a metaphor for science, or the abuse of science by man, we see just how destructive overreaching can be. Through his own selfish attempts to "perfect" the human race, in essence, he began to destroy it.

2. Poor Stuie! All he wants is a little love and companionship. When he is continuously denied this basic necessity, he reacts as a monster would...out of anger. Through this portrayal, Shelley paints a very accurate picture of the human condition. When we are neglected, we begin to defend ourselves (emotionally) in any way that we can. What happens to a person when they are refused the basics of love, communication, and affection? We should never underestimate the power of our emotions. They can motivate us, bring happiness, and destroy us.

3. As a society, how do we adapt to our stereotypes? When others lower their standards, do we lose our motivation to achieve? Do we become who people want us to be? As an audience, we are left to question Stu's motives in the killing of Will, Henry, and Elizabeth. Is he simply becoming the monster that everyone sees him as?

4. Mary Shelley, frustratingly, leaves us with an age old question: Is evil innate or is it created? Take a second to think of Stu's situation. If you were abandoned by your family, would society step up to help you, or would they shun you? We often see Stu acting on the defense...trying to protect himself from the criticisms and hateful actions of others. He mirrors the violence of his creator (Victor) and, out ignorance, destroys everything that he ultimately wants out of life (companionship). This is exactly why we see him react the way he does over Victor's death. He has destroyed the only person that he truly loves.

5. How does Frankenstein reflect all of the elements of a Gothic novel? What can be said about our misunderstood hero? WHO EVEN IS OUR HERO???

Dora..and then some

Dora's Hot Seat presentation and Frankenstein pages 1-76.

1. In chapter 10, Shelley makes a very loud comparison between Victor and God. How does Victor contrast a god-like figure? How does he abuse the power of creation? Victor is driven by a need to discover, to learn, to create, and to be all-knowing. This passion leads him to a fantastic discovery, but it is this same passion that emotionally destroys him.

2. Stew (our monster) challenges Victor's motives in his creation and reminds him that he does have an obligation to protect and nurture him, just like any "offspring". This is where we become painfully aware of Victor's weaknesses. His negligence has caused Stew suffer and to commit unthinkable crimes. Shelley's change in perspective in chapter 10, helps us realize the flaws in Victor and sympathize with Stew. "Remember, that I am thy creature; I ought to be thy Adam but I am rather the fallen angel, whom thou drivest from joy for no misdeed" (Shelley, 69).

3. Remember that, according to Macda Gerard, God makes everything in his own image and likeness. That being said, how does Victor compare to Stew?

4. In chapter 9, Victor actually contemplates suicide. Remembering Hamlet's emotional journey, what does grief do to a hero?

5. Who really killed Justine? Was Stew really at fault? Could Justine and Will be visible reminders of Victor's flaw?

6. We see, very clearly, that in his time of need, the only thing that comforts Victor is his metaphysical connection to nature. How does this juxtapose his need to understand science. Shelley tries to communicate just how dangerous science can be, and how the need for development and technological growth can destroy us. Victor tries to "play God", but ends up miserable. This is so ironic considering his spiritual connection to anything natural.

Highlights from the Renaissance Essay

This use of farce is Shakespeare's way of parodying traditional gender roles. The suppression Katherine faces is the suppression of all unquiet women in society.--Hannah McCaffrey

Shakespeare uses the powerful women to indicate that women are not systematically oppressed , and they are able to balance men's power.--Genevieve Noonan

As he is lifted from his burden, in the end he is crushed by the very madness which empowered him.--Dave Oreste

As Hamlet loses his sense of moral and instinctual direction, the only true expression of Hamlet's thoughts and his changing opinion on life and death can be seen through his soliloquies dispersed throughout the play.--Daryl Thomas

He (Hamlet) is torn between his vengeful thoughts and peaceful nature.--Andy Medina

Hamlet's shifting views are like a fire since it starts with a small spark, grows large as it is fed more air, and the burns out, leaving cold ashes behind.--Andrew Goncalves

Hamlet can hate dreadfully, yet he can love passionately; he can be very analytical and contemplate the meaning of life, yet he can also be demented and speak "wild and whirling words".--Lu Li

Essential Question #7

Do you think that Hamlet has created his own insanity, or has he lost his sense of reality completely? Option 2: How are Polonius and King Hamlet similar?

Highlights from the Middle English Essay

Alison breaks the mold of submissive women and uses her seductiveness to gain power through making her own decisions about her love life. Although her decisions may not be viewed as morally correct, she is still raising her voice to get what she wants. --Hannah

As the Hundred Years War broke out in England in 1338, kings began to employ mercenary troops to defend their nations. Consequentially, the number of knights dwindled due to the introduction of paid soldiers; the knightly values of honor, friendship, generosity, and loyalty were lost. --Genevieve

The fabliaux genre subconsciously critiqued the social class structure during the medieval era...[its] purpose is not to solely humor the audience. Though the obscene and abhorrent language is used to entertain, it unintentionally was used to analyze the lifestyles and values of the people. --Dora

Chaucer effectively manipulates the Pardoner into being a hypocrite, so he can use this character as a manifestation of the societal mistrust towards the church. --Michael

What exactly is fabliau? Is it a tasty French dessert? --Andrew

This time period brought forth the belief that the church and clergymen were corrupt because the tithes were being used to adorn the churches rather than fulfill works of mercy.--Macda

The story (The Knight's Tale) also shows that the battle was the system of justice used to resolve conflicts. --Billy

Chaucer's beautiful alliterative verse not only offered an unrivalled glimpse into the life and mind of medieval England, but also unveiled the fraudulence of courtly love, the prejudice against women, and the deprivation of a church during the middle ages.
--Lu

As Chaucer intended, each tale called out the imperfections of society with resounding vigor in hopes for mankind to fix its deficiencies...Chaucer now expects his readers to follow his words and to love life with a better sense of moral direction, aware of the temptations laid before them. --Daryl
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